Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

François Demachy still seems to be in something of a retro mood, at least while working on Dior‘s Collection Privée. Last year, his gorgeous Cuir Cannage was an olfactory teleporter to an era of dense, old-school leathers. And now Fève Délicieuse pulls us back to the opulence of the 1920s and the seductive souls of Habanita and Shalimar. Interestingly, it does so by employing that somewhat more recent sub-genre of oriental perfumes: the gourmand. But if the thought of another Angel is enough to make you renew your Weight Watchers membership, then relax. There’s something far more sophisticated at play in Demachy’s effort. Yes, he bases his composition heavily on vanilla – and all its lip-smacking associations – but the inclusion of tonka bean (the ‘fève’ of the name) adds a singular twist, lining the sugar with a welcome edge of sharp bitterness. Each time the powderiness of the vanilla threatens to overwhelm the whole, the hay-like facets of the tonka redress the balance. And whenever the praline notes feel like they’re going to drag everything into a glutinous sundae dish, the woodiness pulls them back up again. Finally, cinnamon and what I read as a particularly balmy myrrh heighten the sense of decorum even further. This is no hurried gulp of a chocolate bar grabbed at the corner shop. It’s a long-planned pilgrimage to your favourite patisserie, where the light from the crystal chandeliers blankets the tablecloths, the cutlery and the china with a glow of sensuous warmth. An experience to be savoured.

[Review based on a sample of eau de parfum provided by Christian Dior in 2015.]

Persolaise


Discover more from

Subscribe to get the latest posts sent to your email.

I love hearing from my readers, so please feel free to write a comment or ask a question.