Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

It was a mix of old and new (in more senses that one) over on Love At First Scent the other day, when I reviewed the latest addition to the Hermessence collection, Oud Alezan, as well as limited editions of Diptyque Do Son and Serge Lutens L’Orpheline, and a superbly preserved, vintage Nina Ricci L’Air Du Temps. If you’d like to watch the episodes on YouTube, please click on the links that follow. Otherwise, keep scrolling to view the videos right here on this post. Below, you’ll also find some further thoughts on a few of the perfumes. Here are the links: Hermes Oud Alezan reviewSerge Lutens L’Orpheline reviewDiptyque Do Son 2024 edition reviewNina Ricci vintage L’Air Du Temps review.

Although it doesn’t score especially high marks for originality, Oud Alezan instantly becomes one of the more sophisticated entries in the none-too-short list of rose-oud compositions, no doubt thanks to Christine Nagel’s ability to imbue familiar materials with her trademark suave seamlessness. It’s also interesting to note that it doesn’t hold back on the woods in the drydown, making it one of the darker, spikier members of the Hermessence range. It’s clearly been designed to attract Middle Eastern spending, but that doesn’t mean that its mix of European and Arabian codes is devoid of interest.

On the other hand, Do Son (named after a coastal district of Vietnam) insists on presenting its central tuberose note as anything but dark, bringing out a sunny optimism with which the flower is rarely associated — a (problematically?) bright take on a part of the world with which France has long had a complex relationship.

Somewhere in the middle – meaning that it’s tender and fragile, without being particularly cheerful – lies L’Orpheline, which sees Uncle Serge turning his back on the outside world and confronting his many internal demons. I reviewed it when it was first released (here’s a link), and I’m pleased to say that, ten years on, it’s as compellingly introspective as ever.

Persolaise

[Samples of the Hermes, Diptyque and Serge Lutens were provided by the brands in 2024; the Nina Ricci was obtained by me.]


If you’ve enjoyed this post, please consider supporting my work
by ‘buying me a coffee’ using the panel below.

Thanks very much indeed.

Hermes Oud Alezan review by award-winning perfume critic Persolaise, 2024

Discover more from

Subscribe to get the latest posts sent to your email.

One thought on “Hermes Oud Alezan, Diptyque Do Son and other reviews – 2024”

I love hearing from my readers, so please feel free to write a comment or ask a question.