Left Pleasantly Unmoved
For the last few days I’ve been thinking about the d-word. Derivative. It’s an issue to consider in the analysis of any creative pursuit. But I’d say it’s particularly pressing…
For the last few days I’ve been thinking about the d-word. Derivative. It’s an issue to consider in the analysis of any creative pursuit. But I’d say it’s particularly pressing…
I’ve always been suspicious of Black Orchid. Something about its strident assertiveness – its poking, prodding, finger-stabbing insistence – has made me feel that its facade conceals a quagmire of…
Indie scent creations tend to be either reactionary monsters or paeans to the past (or both, come to think of it). Ryder, the latest from Matthew Zhuk‘s UK brand, Ex…
The J’Adore family welcomes a glamorous new cousin, dubbed Touche De Parfum. With her oil-based constitution, she may well have been brought into the fold to woo the Middle Eastern…
Sigh sigh sigh. There are several springboards from which I could leap into my review of Dior‘s new Sauvage (composed by in-house perfumer, François Demachy), but despite my best efforts…
Edmond Roudnitska‘s words about the way in which a great perfume ought to begin have been widely documented. Years ago, he wrote that a scent should elicit a ‘shock’ from…
I don’t know where Tom Ford has been eating his kulfi, but I’m pretty sure it isn’t the same place where I’ve been eating my kulfi. The taste of the…
Hats off to the people at Marni for the way in which they’re handling their perfume portfolio. They hired an excellent creator, Daniela Andrier, to put together their first scent.…
I’ve always thought there was something hollow at the heart of the Kilian brand. It goes without saying that it certainly isn’t the only perfume house which tries to seduce…
Frederic Malle Cologne Indelebile review by award-winning perfume critic Persolaise (Dominique Ropion, 2015)
What’s that you’re saying? You want to stick a slice of orange in my coffee? Feel free. If it works as well as it does in this new fragrance, it’ll…
I confess my heart sank a little when I discovered that Misia, Olivier Polge‘s debut for Chanel (he’s gradually taking over from his father Jacques as the brand’s in-house perfumer)…
Only the sunlight moves. As it rises above the bamboos and the white rooftops, it casts everything it touches into immobility. Even the waters of the lake appear to quieten,…
At the Paris launch of his fifth ‘garden’ scent for Hermès – which he refused to concede would be his last – Jean-Claude Ellena stated that Le Jardin De Monsieur…
Far too many brands around today rely on aspirational marketing, bling and hackneyed ideas to try to make an impact on potential buyers. Cue: Electimuss, a perfect example of rather…
Here’s another instalment of my regular compilation of mini-reviews from Twitter, covering October to December 2014. Nevermore from Frapin (Anne Sophie Behaghel; 2014)*** Curious mix of metallic rose, ozonic note…
Carlos Benaïm‘s recent collaboration with Frederic Malle – the scintillating Eau De Magnolia – was seen by many critics as a modern rendition of 70s-style chypres, chiefly Edmond Roudnitska‘s Diorella…
Before you scream in horror at the sight of that dreaded three-letter word, let me tell you one thing: No. 10 White Oud is an oud which doesn’t even pretend…
Considering that it hasn’t been pushed in any significant way by Chanel‘s daunting marketing machine, Coco Noir has won an impressive number of followers. The general consensus amongst critics was…
Waiting for the next Lutens release has almost become like anticipating the next movie from Terrence Malick. Granted, Uncle Serge doesn’t exercise our patience quite as much as Malick does,…