Persolaise Review: Solar’1 from Jazmin Saraï (Dana El-Masri; 2015)
The soundbites If Solar’1 were a colour, it would be burnished gold. If it were a poem, it would be Ozymandias by P B Shelley. If it were a texture,…
The soundbites If Solar’1 were a colour, it would be burnished gold. If it were a poem, it would be Ozymandias by P B Shelley. If it were a texture,…
The soundbites If Lonesome Rider were a texture, it would be: dry, raw linen. If it were a colour, it would be: sandy beige. If it were a place, it…
The soundbites If A*Men Pure Tonka were a colour, it would be a near-black purple. If it were a piece of music it would be In Da Club by 50…
The soundbites If Boy were a fictional character, it would be: Sydney Carton from A Tale Of Two Cities. If it were an item of clothing, it would be: a…
The soundbites If White Luminous Gold were a colour, it would be an easy-on-the-eye yellow. If it were a texture, it would be the softness of mimosa blossoms. If it…
The soundbites Myths Man If it were a colour, it would be: metallic grey If it were a piece of music, it would be: Holst’s Mars If it were a…
The soundbites If Muguet Porcelaine were a colour it would be: aqua green with a suggestion of pink If it were a piece of music, it would be: Alone In…
There’s been a fair amount of talk lately about the extent to which current creations from the niche world are little more than reactions to the mainstream: pious homages to…
Where’s the line between old-school masculines which are too… well… old-school and those which don’t feel out of place in a contemporary setting? Is it somewhere near notions of transparency:…
If the number of comments a perfume receives is a direct measure of the distinctiveness of its personality, then Amouage‘s Opus X (composed by Pierre Negrin and none other than…
The latest edition of the Middle East’s ParfumPlus magazine features my run-down of the best perfumes of last year. If you’d like to read it, please click here. For an…
Until now, I’ve been ambivalent towards Tom Ford‘s Neroli Portofino (2011). On the one hand, I’ve always felt suspicious about and appalled by its price (£145 for 50 ml as…
When Karine Bouin’s Peau De Bête pounced on us last year, it elicited a fair number of gasps, with several writers stating they were overwhelmed by its scandalous dosage of…
Ever since the Maison Martin Margiela brand made its perfume debut – and won considerable critical acclaim – with Daniela Andrier‘s Untitled, critics and commentators have appeared reluctant to write…
My closest friend recently discovered Malle. After decades of not considering perfume to be an important factor in how he presents himself to the world, he got in touch and…
One man’s tiger is another man’s kitten, so it’s with some hesitation that I type the word ‘animalic’ today. In recent months, it’s been used in relation to a few…
Wearing Andy Tauer‘s Tuberose – the latest addition to his Sotto La Luna range – made me wonder whether his success has, in part, stemmed from his ability to straddle…
For the last few days I’ve been thinking about the d-word. Derivative. It’s an issue to consider in the analysis of any creative pursuit. But I’d say it’s particularly pressing…
I’ve always been suspicious of Black Orchid. Something about its strident assertiveness – its poking, prodding, finger-stabbing insistence – has made me feel that its facade conceals a quagmire of…
Indie scent creations tend to be either reactionary monsters or paeans to the past (or both, come to think of it). Ryder, the latest from Matthew Zhuk‘s UK brand, Ex…