Persolaise Review: Misia from Chanel (Olivier Polge; 2015)
I confess my heart sank a little when I discovered that Misia, Olivier Polge‘s debut for Chanel (he’s gradually taking over from his father Jacques as the brand’s in-house perfumer)…
I confess my heart sank a little when I discovered that Misia, Olivier Polge‘s debut for Chanel (he’s gradually taking over from his father Jacques as the brand’s in-house perfumer)…
Only the sunlight moves. As it rises above the bamboos and the white rooftops, it casts everything it touches into immobility. Even the waters of the lake appear to quieten,…
At the Paris launch of his fifth ‘garden’ scent for Hermès – which he refused to concede would be his last – Jean-Claude Ellena stated that Le Jardin De Monsieur…
Far too many brands around today rely on aspirational marketing, bling and hackneyed ideas to try to make an impact on potential buyers. Cue: Electimuss, a perfect example of rather…
Here’s another instalment of my regular compilation of mini-reviews from Twitter, covering October to December 2014. Nevermore from Frapin (Anne Sophie Behaghel; 2014)*** Curious mix of metallic rose, ozonic note…
Carlos Benaïm‘s recent collaboration with Frederic Malle – the scintillating Eau De Magnolia – was seen by many critics as a modern rendition of 70s-style chypres, chiefly Edmond Roudnitska‘s Diorella…
Before you scream in horror at the sight of that dreaded three-letter word, let me tell you one thing: No. 10 White Oud is an oud which doesn’t even pretend…
Considering that it hasn’t been pushed in any significant way by Chanel‘s daunting marketing machine, Coco Noir has won an impressive number of followers. The general consensus amongst critics was…
Waiting for the next Lutens release has almost become like anticipating the next movie from Terrence Malick. Granted, Uncle Serge doesn’t exercise our patience quite as much as Malick does,…
You know a perfume is sufficiently interesting in its own right when wearing it makes you forget its marketing baggage. In this case, the ‘story’ revolves around photography and Lang’s…
Violet leaf absolute is one of those materials which serve to show how utterly impossible it is to describe smells with words. In perfumer-shorthand, it’s called ‘green’, but that places…
When I interviewed Papillon’s founder, Liz Moores*, I told her that, putting aside the issue of personal taste, the most striking feature of her debut scents is that they are…
Guerlain Mitsouko reformulation review by award-winning critic Persolaise (Jacques Guerlain, Thierry Wasser, scent)
Here’s the second part of my compilation of Twitter mini-reviews published between July and September 2014. Cologne from Etat Libre D’Orange (Alexandra Kosinski; 2014)* Pays homage to Mugler’s Cologne. Citruses…
Dior Homme parfum review by award-winning perfume critic Persolaise (Francois Demachy, 2014)
Watch out, the 70s have just walked into the room. Or have they? The first thing that attacks you from Tom Ford‘s latest Private Blend is, appropriately enough, a bell-bottom-wearing,…
Sometimes you just need to stick to what you know best. On occasion, the output of the revived Grossmith has been dismissed as mere ‘heritage perfumery’, but there’s nothing intrinsically…
As far as I’m concerned, any brand which releases only one new perfume per year is worthy of serious attention. In an environment where even niche outfits seem unable to…
In David Almond’s book, Skellig, a young boy encounters a strange man in the ramshackle shed at his new house. He’s filthy, his clothes are in tatters and he reeks…
It’s probably fair to say that Guerlain is in a tricky position. On the one hand, it has to satisfy its owners by churning out a steady stream of till-friendly…