Persolaise Review: 1932 from Chanel (Jacques Polge; 2013)
I’ve finally understood my problem with 1932: its conclusion doesn’t live up to the promise shown by its opening. That’s hardly a profound insight – and I’m almost embarrassed to…
I’ve finally understood my problem with 1932: its conclusion doesn’t live up to the promise shown by its opening. That’s hardly a profound insight – and I’m almost embarrassed to…