Persolaise Review: 1932 from Chanel (Jacques Polge; 2013)
I’ve finally understood my problem with 1932: its conclusion doesn’t live up to the promise shown by its opening. That’s hardly a profound insight – and I’m almost embarrassed to…
I’ve finally understood my problem with 1932: its conclusion doesn’t live up to the promise shown by its opening. That’s hardly a profound insight – and I’m almost embarrassed to…
There’s a lot of anti-Chanel feeling around at the moment. Before the venerable house had given everyone an opportunity to recover from the various Chance flankers, they released Bleu which…