Here’s another instalment of my regular compilation of mini-reviews from Twitter, covering October to December 2014. Nevermore from Frapin (Anne Sophie Behaghel; 2014)*** Curious mix of metallic rose, ozonic note…
Monsieur makes me angry. Sure, it displays the high levels of technical competence that we’ve now come to expect from Pierre Guillaume – it’s diffusive, long-lasting and generally cohesive –…
In a field where most products fall under the ‘pleasant but forgettable’ category, anything that’s even remotely challenging or perplexing deserves to be welcomed with open arms. Enter: Pierre Guillaume‘s…
I find this hard to credit from the vantage point of a chilly winter in Britain, but when I was a child growing up in the Middle East, temperatures of…
The unifying concept behind Pierre Guillaume’s Huitième Art certainly seems promising on paper. “What would Chanel N° 5 be without its aldehydes,” asks the range’s dedicated website, “L’Eau Sauvage without…
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