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Persolaise Review: Monsieur from Huitième Art (Pierre Guillaume; 2013) -
Monsieur makes me angry. Sure, it displays the high levels of technical competence that we’ve now come to expect from Pierre Guillaume – it’s diffusive, long-lasting and generally cohesive – but it’s intensely irksome. For one thing, it appears to ignore the central premise of the Huitième Art range. Unless I’m mistaken, Guillaume wanted the […]
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